A classic returns. The original edition of Amos Vogel's seminal book, Film as a Subversive Art was first published in 1974, and has been out of print since 1987. According to Vogel--founder of Cinema 16, North America's legendary film society--the book details the "accelerating worldwide trend toward a more liberated cinema, in which subjects and forms hitherto considered unthi...(展开全部)

A classic returns. The original edition of Amos Vogel's seminal book, Film as a Subversive Art was first published in 1974, and has been out of print since 1987. According to Vogel--founder of Cinema 16, North America's legendary film society--the book details the "accelerating worldwide trend toward a more liberated cinema, in which subjects and forms hitherto considered unthi...(展开全部)

In the fall of 1957 the University of California Press expanded Arnheim's 1933 book "Film" by four essays and brought that landmark work back into print as "Film as Art". Now nearly fifty years after that re-edition, this book continues to occupy an important place in the literature of film. Arnheim's method, provocative in this age of technological wizardry, was to focus on th...(展开全部)

In the fall of 1957 the University of California Press expanded Arnheim's 1933 book "Film" by four essays and brought that landmark work back into print as "Film as Art". Now nearly fifty years after that re-edition, this book continues to occupy an important place in the literature of film. Arnheim's method, provocative in this age of technological wizardry, was to focus on th...(展开全部)

French critic and composer Michel Chion argues that watching movies is more than just a visual exercise--it enacts a process of audio-viewing. The audiovisual makes use of a wealth of tropes, devices, techniques, and effects that convert multiple sensations into image and sound, therefore rendering, instead of reproducing, the world through cinema. The first half of Film, A ...(展开全部)

French critic and composer Michel Chion argues that watching movies is more than just a visual exercise--it enacts a process of audio-viewing. The audiovisual makes use of a wealth of tropes, devices, techniques, and effects that convert multiple sensations into image and sound, therefore rendering, instead of reproducing, the world through cinema. The first half of Film, A ...(展开全部)

This is the definitive analysis of art as a social and perceptual system by Germany's leading social theorist of the late twentieth century. It not only represents an important intellectual step in discussions of art--in its rigor and in its having refreshingly set itself the task of creating a set of distinctions for determining what counts as art that could be valid for those...(展开全部)

This is the definitive analysis of art as a social and perceptual system by Germany's leading social theorist of the late twentieth century. It not only represents an important intellectual step in discussions of art--in its rigor and in its having refreshingly set itself the task of creating a set of distinctions for determining what counts as art that could be valid for those...(展开全部)

This fourth edition of our bestselling text has been comprehensively updated and revised to include contemporary film analysis and recent films. With a focus on contemporary popular cinema and examples from Classical Hollywood, Graeme Turner examines the social and cultural aspects of film from audiences and ideologies to exhibition and technology. This fourth edition now inclu...(展开全部)

This fourth edition ofour bestselling classic text has been comprehensively updated and revised toincludecontemporary film analysis and recent films. With a focus on contemporary popular cinema and examples from Classical Hollywood,Graeme Turner examines the social and cultural aspects of film from audiences and ideologies to exhibition andtechnology. This fourth edition no...(展开全部)